古董局中局之掠宝清单

南韩电影《再见，明天见》（So Long, See You Tomorrow）以《纽约客》已故编辑威廉．麦斯威尔的获奖同名小说为蓝本，将故事改编成2020年代的南韩青少年的平行时空穿越探索之旅，结合时下最流行的多元宇宙概念，且兼具诗意与泪点。

这是一部关于一台车和两个人的故事。在这个偶遇新春的浪漫情人节，BMW携手导演辛爽共同创作短片《婚礼》，2月14日全网上映，甜蜜贺岁。

小光（刘道玄 饰）成长在一个破碎的家庭之中，母亲离婚后再婚，哪知道继父是一个禽兽，竟然对小光伸出了魔爪。是母亲对小光的爱支撑着他度过最黑暗的岁月，可是某一日，小光失去了这唯一的温暖——母亲被残忍的杀害了。在继父的淫威之下，小光沦为娼妓，日日遭受变态客人的折磨。一天，他像往常一样，在街头遭人暴打，此时一个名为硕哥（钟岳轩 饰）的男子出现了，救下了小光，从此，小光再度得到了好好生活下去的动力。硕哥表面上是经营着一家西装店的老板，但背后的真实身份，是一名缉毒警察。终日生活在伪装和谎言之中的日子令他感到疲惫不堪，此时，小光出现了。

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)