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《要案组雷霆出击》由六个故事组成。故事一是一宗绑架案，牵引出一个兄弟反目，侵吞上千万资产的故事，绑架案后真相大白。故事二是一个银行现金抢劫案件，高科技银行防抢保险箱却于关键时刻失灵，案中案扑朔迷离，主角找寻线索，破开重重迷雾，找到了主谋。故事三是在一段三角恋情中，引发了人命官司，死者死亡时刻，人人都有作案动机，同时又都具有不在场证明，主角经过层层推理，破解不在场证明，找到了事实的真相。故事四是一个网络色情犯罪的案件，讲述主角在破案过程中，揭开了犯罪背后的高科技作案的真相，色情网络规模庞大，管理严格，系统精密，组织严明。故事五是镇长被杀的案件，凶手归案，可案件另有玄机，经过层层探索，发现原来是一场蓄谋已久的势力比拼。故事六是一个盗取文物的案件，教授内疚自杀，然而查获的文物竟是赝品，故事的背后，看到的是师徒情深。
要案组雷霆出击影片的精彩影评
Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)