玉青（何莉莉）是大企業家的掌珠，一次偶然，與家貧的遠平（凌雲）一見鍾情，玉青父對此頗為不滿。玉青為助遠平交付母親的醫藥費用，瞞著他偷取家中珍藏的小佛像變賣，怎知青父見失去小佛像，乃前往報警；玉青與遠平驚惶間，為怕坐牢，雙雙飛往泰國。為了生活，遠平冒險參加電單車比賽，結果撞車重傷，玉青只好到夜總會當舞女來支付遠平龐大的醫療費用。怎知夜總會王經理（南宮勳）垂涎玉青美色，將她姦污，遠平尋至，憤而將王打死，玉青見狀，精神頓陷分裂……

党小组长 (1986)故事梗概刘局长是航运局里说一不二的人物，有一次他视察工作返城时，在公路上受到市委书记女儿的捉弄，他敢怒不敢言。他的小车司机杨杨不惧权势，治服了书记的女儿，为刘局长出了气。为此，刘局长极力推荐杨杨担任党小组长。杨杨在前任组长的记录本上，发现刘局长几个月没缴党费，于是他去找刘局长收党费。刘局长建议杨杨以后按月到会计科扣除他的党费，杨杨提醒他，这是党费，不是党税，如六个月不缴纳党费，就算自动退党。梅嫂听说杨杨是能管局长的"官"，便来告状。原来，梅嫂一家三代人多年来一直挤在一间破屋里，最近刚分到一套新房，可刘局长的儿子要结婚，房子就被收回去。杨杨决定召开党小组会帮助刘局长，可刘局长没有参加小组会。杨杨只好找刘局长谈话，局长认为，分房是行政部门的事，党组织不能想管什么就管什么。杨杨送刘局长家人去郊外旅游，与刘家人发生了矛盾。刘局长要杨杨公开检讨，谁知杨杨会上对刘局长搞不正之风，进行了批评。事后，杨杨按党章，诚恳地指出刘局长存在的缺点。刘局长决定把杨杨调出机关，这时市委书记向他透露，党代会要召开，是否继续当局长，选举党代表是关键。刘局长心领神会，立即改变了对杨杨的态度，还将房子退还给梅嫂。在选举会上，杨杨代表机关党小组向大会提出，刘局长已八个月没缴党费，一年多不过组织生活，不能当选党代表，引起会场哗然。在一条宽阔的公路上，杨杨开着卡车迎面驶来。杨杨怎么改开卡车了？党小组长还当不当了？人们思考着。

Christine (Sandy McLeod), a bright and unassuming young woman, takes a job selling tickets at a porno theater near Times Square. Instead of distancing herself from the dark and erotic nature of this milieu, Christine soon develops an obsession that begins to consume her life. The character’s reaction unexpectedly flips normal gender roles; director Gordon daringly twists feminist ideology by showing a woman who finds self-expression through an interest in pornography. Variety becomes even more provocative when it dramatizes the changes that occur in Christine’s relationships with both Mark (Will Patton), her boyfriend, and Louie, a dangerous-looking patron of the theater.

The film begins with the title Chorokbam filling the screen, which is amazing to see. This is the very moment at which the audience decides to trust this film without hesitation. In terms of how to fill and empty the square frame, the film is bold and skillful. Chorok, meaning green in English, is the color of fate in this movie. The problems of all the family members a hopeless father who works as a night guard, a mother who is completely exhausted with house works, a poor son who works for the disabled and their funeral ceremony are all dominated by the color, green. It is not bright or fancy but dark and scary in some sense. With attractive images and scenes, the film develops a series of worldly episodes of a family up to the level of poetic sentiment of blues and depression. (JUNG Hanseok)