白天的Karen（梁慧嘉 饰）是某电视频道可有可无的节目主持，晚上她则是一名“蒲精”，常在夜店饮至烂醉到天明。阿文（方力申 饰）是个一个公司的小职员，平时没事就和朋友喝喝酒踢踢球，毫不起眼。一次偶然机会，使得阿文喜欢上了Karen，她欣意接受阿文的约会，与他出双入对。他以为爱情来了，她却视阿文为一名“观音兵”，呼之则来，挥之则去，并说只当他是好朋友，而不是爱情。阿文把自己封闭了起来，后来Karen工作上不顺，感情上也是被抛来扔去的，后来她又接近阿文，一起看电影泡吧看阿文踢球，从不迟到，但是阿文已经不同于以往了，渴望爱情的他们为什么无法在一起呢？

「革命無分性別、年齡與時代！電影取材自真實韓國獨立運動，以年輕革命女義士柳寬順為原型，見證一段鮮為人知的歷史。日佔時期，韓國爆發三一運動，十七歲少女上街帶領逾二百萬韓國民眾抗爭，卻被捕囚禁在女子地下監獄，受盡百般凌辱。她非但沒有噤若寒蟬，反而挺身感召其他囚犯打破沉默，從自我覺醒走向集體覺醒，在獄中共同高呼「大韓獨立萬歲」的口號。黑白鏡頭下的獄中景象格外銳利，眾人以堅毅的眼神明志：監獄的高牆囚得住肉體，卻困不住自由的靈魂。高我星從《韓流怪嚇》嶄露頭角，到《末世列車》已成氣候，是次飾演烈女同樣鏗鏘有力。在最壞的時代，讓我們為這位巾幗英雄及所有因抗爭犧牲的義士獻一闋輓歌。

胖嫂给睡熟的宝宝做完一件新衣，正开心地比量之时，收到“妈妈病重”的家信，一时心急火燎。准备抱着宝宝连夜赶回娘家看妈妈时，粗心大意的她忘东又忘西，不但把房间弄得乱七八糟，还把枕头错当成宝宝包进了新衣。路上一个不小心，枕头又被她搞落了。赶到娘家看到妈妈平安无恙，胖嫂大为吃惊，在妈妈的提醒下，她才发现家信只看了一半。母女两人欢欢喜喜走进屋里，妈妈从柜子里拿出猫头鹰帽子准备给宝宝戴，胖嫂发现新衣里空无一物，慌慌张张的她原路返回找起宝宝来。

Once upon a time, the birds and the beasts fought each other in a war. It was a terrible conflict, and the clever bats would side with the birds when the birds were looking victorious, and then they would become allies of the beasts when that side was winning battles. At last the war came to an end, the two parties reached an amicable settlement, and a great party of friendship was held. But when it came to the turn of the bats to perform in the program, their fence-straddling tactics were exposed, and everyone refused to associate with them. Since that time, the bats have been too ashamed to show their faces during the day, coming out only at night to flit silently around.