Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)
征服 1983影片的精彩影评
一群盗贼为了寻找传说中的宝藏而去到远海的孤岛监狱，但他们却发现了被囚禁在那里的Hakaider，最后全被Hakaider杀死。失去记忆的Hakaider为了追寻身世而来到了“基督城”，基督城虽然表面上是一个和平的都市，但其实内里统治者古谢夫将有反抗意识的人改造为不反抗者，营造出一片虚假的和平。其后Hakaider在与基督城的重武装兵交战时，当地的反抗组织出手相助，战斗后Hakaider与组织成员一同返回地下基地。在基地内，Hakaider与一名叫薰的少女产生了微妙的关系……得知Hakaider出现的古谢夫命令重武装兵将它消灭，因为Hakaider为古谢夫所制造，但由于不服从命令而被囚禁，Hakaider的出现无疑会危及他的统治。在古谢夫的亲卫机器人米迦勒的带领下，重武装兵突袭反抗组织基地，薰因此而丧生。袭击后得以存活的Hakaider无比愤怒，为了打倒古谢夫，Hakaider向着基督城的元老院进发……