冰河世纪4国语版高

故事讲述露西天生就是一名收藏家，她与男友分手，而男友是惠特尼博物馆的老板。露西不知道该把恋爱时的物品放在哪里，于是她在一家陌生酒店的大厅中策划了心碎画廊，在那里她找到了自己的声音，并学会了放手去爱。

故事发生在20世纪80年代初一个春夏之交，刚刚迎来朝阳的清江钢铁厂炼钢车间突发人员坠落事故，一名普通工人当场身亡。在此之后，公安局抓捕了相关责任人进行审讯，然而嫌疑人和证人的证词相互矛盾，在缺少有力证据的情况下，嫌疑人最终无罪释放。与此同时，公安局派出年轻干警严盾继续调查此案。严盾和该厂保卫干事龙晓南是发小，后者又是市委书记的公子。虽然两人有着共患难的交情，但是在这起坠落事故面前龙晓南却似乎隐藏着什么，给严盾的调查设下百般障碍。未过几天，一名知情人在滂沱雨夜遇害，案件愈加扑朔迷离，甚至还牵涉出该厂另一宗鲜为人知的违法事件。真相中就有大白天下的一日……

胡惠乾打机房的故事，胡由戚冠军扮演，胡为父报仇杀了锦纶堂的人，其中有武当教头。于是武当白眉道人手下大弟子高进忠（谭道良饰）出马暗算胡，使胡受重创仅剩最后一口气，在师兄三德和尚帮助下用少林绝学续气一天，胡凭此一口气与高大战最后两人同归于尽。精彩看点：此次谭道良师父意外扮演反派角色非常出彩，本片中虽戚是主角但风头全被谭一人盖过。谭师父在本片最后20分钟方显身手，想看看谭师父出神入化、超凡入圣的腿法，请一定不要错过本片。实在太精彩令现在众多功夫动作片汗颜，我在想就这个表现我看谭师父一辈子都不够！本片绝对可以看着跆拳道教学片，一腿一式都极尽其致！！！！！！！

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.