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This is a really interesting film about how large the universe is and how powers of ten become so drastically distant.It starts out by showing a couple at a picnic in Chicago. It then shows an overhead shot a meter up of the man lying down on the picnic blanket. It then proceeds to zoom out by increasing the distance by a power of ten every ten seconds; 10 to the first meters, 10 to the second meters, 10 to the third meters, and so on.Before long the viewer is above the earth, then the solar system, then the galaxy, then much of the visible universe. The viewer is projected back forward by decreasing the powers of ten every two seconds.After a while the picnic scene is displayed again, but it doesn't stop there. The view returns to the regular speed and goes into the negative powers; ten to the negative first meter, ten to the negative second meter, and so on. The viewer is zoomed into the man's hand, and ends up zooming into a single proton in an atom.

影片根据真实事件改编，讲述雅丁（里德·米勒 饰）因性取向遭受同学的霸凌而自杀，他的父亲乔·贝尔（马克·沃尔伯格 饰）由此展开了一场穿越美国之旅，在这场旅行中，乔·贝尔随时都能感受到雅丁就在他的身边。

2018年4月起，敦煌壁画古乐器复原开发项目启动。该项目历时8个月，由全国各地的民乐制作大师仿制敦煌壁画古乐器97种，245件，将壁画乐器图形做成实物，“复活”千年敦煌音乐盛景。纪录电影《敦煌乐器——乐从画中来》基于此次乐器复原制作，记录了乐器由图形成为设计图纸，再成为实物用于演奏的全过程，讲述了琵琶、花边阮、箜篌、雷公鼓等敦煌壁画乐器的前世今生，成为这项抢救性复原开发工程的见证。

描述朝鲜战争后南韩妇女的地位。对争取独立，选择外出工作的女性似带有怀疑态度。A college professor’s wife OH Sun-young discovers a new world since she started working at a boutique. She begins to enjoy wearing dresses that accentuate her features, achieve high sales profits, and dances in the arms of men other than her husband. However, the story takes a turn when she is caught in the hotel with the owner of the boutique who has been seducing her. Madame Freedom was already a famous story since the novelist JUNG Bee-suk wrote the series in The Seoul Shinmun. Despite the controversy on the moral issues between the writer and the critics, the book was published and produced as a play by the theater group Shinhyup. The film also set a new box office record of 130,000 and its success brought the boom of melodrama. Its cultural influence is proven to be powerful enough to shake the foundation of Korean film since there have been 5 sequels and remakes since the original.