巴拉拉小魔仙全集52

战国时代，世道纷乱，正邪颠倒。在一个名叫天魔谷的地方，天魔太郎（梶健司 饰）、新田次郎（荒戸源次郎 饰）、三途三郎（五條博 饰）、池四郎四兄弟雄踞于此，干着剪径的营生。此外，以冷眼少女庵（田中真理 饰）为首的7人疾风少女组也在这里出没。两组人马经常聚会，饮酒食肉，尽情享乐。某日，天魔太郎探得将有运送120支枪的队伍在附近经过，遂决定将其截下。不过运送方早有防备，天魔一伙扑了个空，而深爱太郎的庵技高一筹，抢下这批枪支。不久，少女们结伴去城中游玩，名叫奈奈（山科ゆり 饰）的被追查枪支的人抓住折磨致死，疾风少女组更遭到惨烈打击。与此同时，幕后的阴谋也渐渐浮出水面……

Long out of circulation, Deep Throat Part II was conceived as a soft-core sequel to the highly successful Deep Throat. The film was written and directed by sexploitation virtuoso Joe Sarno and shot on 35mm in the New York City area in early 1973. It was released in the U. S. in early 1974 with an MPAA "R" rating and quickly disappeared; porn journalist Al Goldstien, writing in Screw, called it "the worst film I have ever seen." The existing U. S. version of the film now on DVD is bowdlerized; the Italian DVD release version contains the film's original soft-core sex scenes. There has long been an urban legend that the film was shot hardcore and that the hardcore sex scenes were "stolen" while the film was in post-production; this claim seems extremely dubious and director Joe Sarno himself has insisted in interview that only soft-core sex scenes were shot for the film. Deep Throat Part II is Linda Lovelace's second feature film (she only officially starred in three). A young Judy Tenuta (comedienne) has a walk-on cameo. The film is one of Sarno's rare comic efforts and contains an unusually polished soundtrack featuring tunes written by, among others, former members of Jay and the Americans.

2011年香港亚洲电影节参展动画导演延尚浩，继前作拿「猪」开玩笑，以变态到极点的智慧影射现实的残酷生活后，又一部极具批判性的作品，成为本届多伦多影展唯一入围亚洲动画，讽刺教会的虚伪。人是否一定忠奸分明？教会的领袖是否一定好人？在韩国一个小镇，有预言指水灾即将降临。为人敬重的教会长老，誓要将信念和希望带给信众。只要他们肯奉献金钱，就可以带领他们重建家园。然而，筹务经费的计划，却被一名声名欠佳的镇民质疑。二人展开一场「形象」之战，背后却各有目的。

Lead Me Home is a short film that follows several people living on the streets in West Coast cities. Conceived to be a cinematic study of contrasts, the film will be familiar and shocking; intimate and vast. By weaving individual stories with aerial vistas, time-lapse photography, and evocative details of contemporary urban life, Lead Me Home aims to spark a national conversation about the epic scale of this alarming and ever-growing problem.