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正所谓人在江湖，身不由己，独臂刀王方刚（王羽 饰）厌倦了江湖厮杀，恩怨相报，转而与妻子小蛮（焦姣 饰）隐居山野，躬耕劳作。在一个晴朗的日子里，黑白刀使关顺、关横两兄弟不由分说送来请帖，邀请方刚参加五月五日端午节在霸王寨举行的万刀大会。凡是惯常使刀的高手都被邀请在列，以最终决出刀王之选。方刚打定心思不想赴会，谁知没过多久朝阳刀卢掌门登门拜访，为其讲述了霸王寨八大刀王这些年在江湖上为非作歹的恶行，此次万刀大会的目的无疑是要将武林中所有用刀的高手全部降服。方刚执意不行，更以其一身绝学赶走黑白二使。与此同时，霸王寨八大刀王大开杀戒，屠戮武林。此后他们为逼方刚出山，更绑架了小蛮。英雄一怒冲冠……

不知道火检校的弟子按摩杉之市，从小就有着异常的才能。有一天，杉之市在铃之森遇到了烦恼的旅人，知道他有很多钱就巧妙地杀害了。被偶然目击到这一消息的生头仓吉胁迫的时候，赚到了很多钱。沉浸在这种气氛中的仓吉约定在江户再会，并将自己的看守作为当时的证据交给了他。杉之市是让死人握住那个看守人离开的狡猾。回到江户的杉之市，有一天晚上去治疗的木材店里进了杀人强盗。幸运的是，生首的仓吉和他的头目丹治、弟弟玉太郎等人，在要求分得利润的同时，还亲切地把木材店和他的小姨子带到我家，强行把她犯了。你当晚自杀了。有一次，旗本的岩井藤十郎的夫人浪江被丈夫秘密地逼迫需要五十两个钱，向不知火检校提出了筹款的请求。被检查学校命令使用拒绝的命令，杉之市说自己代替代替代替代替代替，说每天借五两，所以要连续十天。那次杉之市拥抱了浪江。但是，这被丈夫藤十郎发现，她自杀了。得知此事的杉之市假装自杀，蒙蔽了藤十郎的眼睛，而且还把证据交给了仓吉，忘了讨债。杉市做了很多坏事，他使用丹治和玉太郎，杀害了师傅，亲自袭击了第二代不知火检查学校。然后五年，作为第二代不知火检查学校发挥了实力，把成为丰国一幅图画的米饭作为妻子。那个男人有一个叫房五郎的情夫，检查校方察觉到了这一点，就把两个人杀了。那个时候，仓吉被奉行逮捕了。仓吉坦白了和检查学校做坏事的种种。街上的人朝着检校的宅邸走去。岩井藤十郎也——另一方面，检察官在数日后登上了狱门台，毫不犹豫地接受将军家姬君的治疗，沉醉于其幸运之中。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

影片根据真实事件改编，讲述雅丁（里德·米勒 饰）因性取向遭受同学的霸凌而自杀，他的父亲乔·贝尔（马克·沃尔伯格 饰）由此展开了一场穿越美国之旅，在这场旅行中，乔·贝尔随时都能感受到雅丁就在他的身边。