神的测验4

監製：中國戰時電影研究會　出品：青年攝影團1941 黑白 無聲 中文插入字幕1938年上半年，几位香港青年摄影工作者林苍、徐天翔、金昆来到延安，在延安八路军总政治部的帮助下进行了两个月的拍摄工作，回港后制作了这部纪录片。影片首先展现了延安城乡的自然风光，然后记录了中共中央领导人毛泽东、著名女作家丁玲的工作情况和发表演说的场面，延安的一些学校如抗日军政大学、鲁迅艺术学院、鲁迅小学的学习和生活，延安为纪念五一国际劳动节举行的由工人、学生、部队、自卫军参加的纪念大会，毛泽东在大会上讲演及其受到群众欢迎的情况，以及陕北人民自卫军操练、八路军渡河训练以及野战演习和日常生活。1941年6月，这部影片更名为《延安内貌》在香港公映，这是第一部在香港公开上映的全部反映延安情况的影片。

A single, gay man schemes creative ways to have a hunky repairman continue to have to come back to his house to fix things, but suddenly the fantasies become more than either of them expected.

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

疗养院的老太太薇拉连人带轮椅滚下了楼梯，当场毙命。护理她的保姆桃乐丝（凯西?贝茨 Kathy Bates 饰）手持凶器站在旁边。桃乐丝是唯一的嫌疑人。原来，桃乐丝是薇拉雇佣了40年的女佣，由于她饱受主人的责骂和变态要求，所以这起案件很容易被导向怀恨在心、伺机报复的谋杀。警方一直想把她定罪，判处她20年徒刑。这个案子惊动了桃乐丝远在纽约做记者的女儿莎琳娜（詹妮弗?杰森?李 Jennifer Jason Leigh 饰）。她亲自参与案件的追踪，再度与离散多年的母亲重逢，共同生活了几日。这令她不得不回首阴暗往事，而桃乐丝也总是恍然回忆起女儿小时候的样子。与此同时，一个恶魔般的身影也随之被记忆唤醒。那是她的丈夫，经常对她实施暴力。在忍无可忍之际，她做出了最后的反击……