与僧侣相交之夜

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

短片改编。Ready for a night of partying, a group of Black and Latino college students must weigh the pros and cons of calling the police when faced with an emergency.

快餐店打工仔阿银（周星驰）某日送快餐时邂逅正在武术训练馆学习日本空手道的阿丽（钟丽缇），对其一见钟情。遭遇同样喜欢阿缇的武馆教练林国斌的羞辱后，自觉太弱小的阿银决定拜自称为“魔鬼筋肉人”的达叔（吴孟达）为师，达叔一开始只想骗取阿银的钱财，终被其善良和执着打动，开始教授其中国古拳法。阿丽遇坏人拦截，阿银头戴加菲猫面具出手相救，情急之下从高台上抱着歹徒滚下，却由此创出了“无敌风火轮”，不料事后被林国斌领功。为了证实自己的实力，阿银报名参加了搏击比赛与林国斌决斗，想借此再赢阿丽芳心。

该片围绕“1983年虎山监狱暴动事件”展开。