向风而行40集

〈事件現場製造〉由長期合作的夥伴陳琬尹撰寫劇本。透過一個謀殺案件中的槍手吳敦，我們從這位殺手不尋常的多重身分——電影人、劊子手、幫派份子、愛國者，嘗試捕捉台灣政治史中的集體潛意識。1984 年，美籍台裔作家江南，在美國自宅遭台灣殺手槍殺離世。事後由於美國當局的介入緝查，此案件最終被證實為是台灣情報局與台灣黑幫竹聯合作的政治謀殺案。最後，台灣政府向江南的家屬協商，與其家屬簽訂了保密協定，其中包含不得以「電影」形式公開案情。這件作品的主角吳敦，即是當年開槍的殺手。在案情曝光後，台灣當局受美國壓力，吳敦被判處了無期徒刑，服刑六年後獲大赦出獄。出獄後的吳敦仍是竹聯幫的重要幹部，同時也以製片人身分成立了電影公司並拍攝多部電影，其中也包含了許多「武俠片」。而在這次作品中，我們重返過往吳敦曾使用、而現已廢棄的電影製片廠拍攝武俠片段，並與一個特殊的 3D 掃描公司——刑案現場中負責鑑識掃描工程的團隊——合作製作動畫，並由演員、掃描團隊共同重現其工作場景。製作單位：法國國立當代藝術工作室This work is a cooperation with my long-time collaborator, scriptwriter Chen Wan-Yin.Starting from a gunman involved in a murder case, I seek to reflect the collective unconscious within society and politics through the gunman's multiple peculiar roles—a filmmaker, a killer, a gangster, and a patriot.In 1984, when Taiwan was still under Martial Law, a Taiwanese American writer Henry Liu was shot to death in his own house in the US by a Taiwanese assassin. Afterward, due to the intervention and investigation of the US government authorities, this case was eventually confirmed to be a political murder jointly committed by the Military Intelligence Bureau and the biggest mafia United Bamboo Gang in Taiwan, as the government paid the mafia to kill Henry Liu. In the end, the Taiwanese government negotiated with Henry Liu’s family, who signed a non-disclosure agreement, part of which prohibited the revelation of the case in the form of cinema.The protagonist of this work, Wu Dun, is the assassin who fired the shot at the time. After the case was exposed, the Taiwanese authorities were pressured by the US, and Wu Dun was thus sentenced to life imprisonment. However, he was given amnesty and discharged from prison after six years. After he got out of prison, Wu Dun remained an important member of the United Bamboo Gang, and he established a film company as a producer with the support of his mafia influence, making several “wuxia films” – refers to specific traditional Chinese swordplay films. In the genre of “wuxia film,” the story of the conflicts between a government and local gangsters has often been the main theme, along with a strongly nationalistic ideology. In this work, I revisited the film studio that was once used by Wu Dun and is now deserted to recompose the fragments of the political assassination and the scenes of wuxia films, and I cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Wu Dun.Produced by Le Fresnoy – Studio national des arts contemporains

秋子自小因病失聪，对生命感到无奈。战祸发生后，与家人避至新泻县居住。秋子的丈夫在战乱中死去，被丈夫的家人迫回娘家。一次旧校生聚会中，认识了片山道夫，两人互相倾慕相恋，后来结了婚。纵使生活艰苦，两人互相持，齐心面对，但不幸的事却不断发生。

北川市郊外的湖内突然出现了恐龙。于是奥特警备队将恐龙冷冻，请环境生态学的户根崎教授进行调查。在夜间恐龙突然消失。同时户根崎教授面前出现了一对神秘男女，自称是他们让恐龙复活的。他们发明了理想的未来城市「生态都市」。对地球环境恶化感到焦虑的户根崎教授为了实现理想而协力，不过这却是梅特龙星人的可怕陷阱。

到1986年，被称为“漫画之神”的手冢治虫已经从事漫画工作40个年头。从首次发表开始，他终日笔耕不辍，创作了《阿童木》、《森林大帝》等诸多经典作品，也经历了事业的巅峰和低谷。他偏居闹市一隅，在这方寸空间里潜心创作，同时进行着三部漫画的连载。这里是手冢的私人领地，他决不允许助手踏入寸步，却首次同意NHK的工作人员进入，也因此才让热爱手冢治虫的漫画迷们见证手冢老师创作的全过程。由于工作量巨大，手冢以工作室为家，电视和报纸是他了解外部世界的唯一途径。此外，他还要兼顾虫工作室的运营以及动画节的主持工作，终日忙碌，每年回家的时间不超过60天。也许，只有对漫画的热爱才让手冢治虫走过无数的风风雨雨……