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Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

例によって座頭市が、悪徳親分をこらしめるというストーリーだが、クライマックスの大殺陣で樽の中に入れられグルグル回された市が“盲にゃまわる眼がねェ！“と啖呵をきって、樽の中から樽ごと敵を斬り捨てるという趣向は面白い。

带着对将来地无限神往，张红娟进城打工，不想却上当、身陷卖淫窝点。失望中张红娟拼力对抗，用刀戳向阿谁诡计阻止她逃窜地老板。惊慌万分地张红娟，跌跌撞撞不断跑出城进山。在一个叫“杀牛坪”地村口，流亡地张红娟被等待在那边地村长误觉得是上级派来地女教师。从此今后，张红娟成为啦这里地小学教师。这些憨厚、仁慈地孩子，给她带来啦从未有过地暖和，而她也从工作中领会到啦属于本身地崇高职责。在年夜山地怀抱中，张红娟感应本身地魂灵获得啦净化与升华。村长和村平易近们都为来啦个好教师而欣喜，这使张红娟慢慢忘怀啦曾有地伤痛。可就在此时，公安人员找到啦她。半年后，案情水落石出，张红娟误伤属合理防卫，被无罪释放。张红娟满心欢欣地回到她日夜怀念地年夜山，那边有她地学生、有她一切地爱。

一个去世议员的家人无意中发现了议员的一件遗物——一卷8毫米的影片，里面竟然有女孩被虐杀的整个过程，于是交给了一名私家侦探汤姆威勒（Nicolas Cage尼古拉斯?凯奇饰）调查真相。汤姆威勒本来平静的生活开始危机四伏。汤姆威勒一步步破解真相的过程，亦是一步步陷入泥潭的过程。但是影片中陌生女子的受虐惨剧在他脑中挥之不去。良心促使他在凶险的真相面前变得无惧。但当真相揭露之时，世间的丑恶不堪得令汤姆威勒也陷入了惊恐……