厨房与公妇伦理

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

贫穷加上乌脚病让他们活的很无奈，他们不怪谁，只怪自己的命。大不了就是把手砍掉，把脚锯掉就不痛了。 邱水龙是典型的写照，在十几年前就因为乌脚病锯掉了一只脚，另一只脚又黑了一大块，锯掉也是迟早的事。早年儿子出海被大海吞噬，媳妇(桃花仔)浪迹他乡，跳脱衣舞维生，留下天资较差的孙子(阿钟仔)两人相依为命。憨厚的阿钟仔到学校最快乐的事，就是把水沟和厕所打扫的乾乾净净，但是还是受到校长老师的鄙视冷落……

男主的女友相貌平平，相处久了已经难以勾起男主的欲火，突然一天晚上，他遇到了一个颜值又高身材又好的美女上吊自杀，原本没怎么在意的他，却发现这个女人竟然是他的邻居，而且很快男主已经对这个女人无法招架，开始跟她进行了疯狂的性爱，这个女人也愈发的高频率的索取，然而好景不长，男主也开始发现，这个女人其实是一个女鬼....

故事发生在北宋年间，金兵入侵，民不聊生，皇帝懦弱，派出了九太子赵构出使金营委屈求和，前者遭到了囚禁。武林人士黎马（孙晨曦 饰）人称“飞天神鼠”，他偷偷潜入兵营中，想要救出赵构，却遭到了敌人的埋伏，不仅任务未能完成，而且伤亡惨重，赵构再度下落不明。黎马在占邑镇邂逅了铁书大侠和他的两个女儿大姗（鲁瑛 饰）、小姗（王岩 饰）。铁书大侠遭人陷害，在临终之前将大姗和小姗托付给了黎马，三人继续他们营救赵构的旅途。在此过程中，两个姑娘都渐渐倾心于风流倜傥刚正不阿的黎马，小姗选择了退出，而黎马和大姗亦遭到了金兵埋伏，情势十分危急。