功夫婆媳

初代奥特曼回顾作品，最终战改成由奥特曼亲自消灭杰顿。

背景设定在一个反乌托邦的美国，所有非异性恋、白人、基督徒和顺性别的人都被政府用条形码跟踪。

“一个竖立的汽车轮胎在被头顶上旋转的废弃麻包触动后，沿着美术馆展厅的地板自由地滚动，随后开始发生一连串极不可能发生的事情。当一件处于运动状态的物体（旱冰鞋上的水壶、一盘正在溢出的炽热液体）与另一件相撞，那些或许能在一个古怪的业余科学家的车间找到的材料——椅子、折叠梯、塑料瓶、车胎、危险的化学品、油漆，被推入一种强制运行的系列反应之中。”—— 《现代艺术150年》作者: [英] 威尔·贡培兹，译者: 王烁 / 王同乐 ，理想国 | 广西师范大学出版

（转自IMDB）Everything returns to normal after Chernobyl. That is, everything but art. Most of the great works are lost, and it is up to people like William Shakespear Junior the Fifth to restore the lost artwork of the human race. He finds strange goings-on at a resort enough to remind him of all the lines of the play, dealing with mob boss Don Learo and his daughter Cordelia, a strange professor named Jean Luc-Godard (sic), who repeatedly xeroxes his hand for no particular reason. He is followed by four humanoid goblins that keep tormenting Cordelia. There is also the gentleman whose girlfriend, Valerie, isn't always visible. Then the film is sent off to New York for Mr. Alien to edit.