宝宝想要就自己动

一个19岁的女孩由于心理伤害而无法下床，就像植物一样一动不动。 由于没有家人，她完全依靠邻居和一名名叫Ja-young的女性社会工作者生活。

阿正（张书豪 饰）一个喜欢夸夸其谈的人，经历了《海峡两岸礼俗专刊》十次被退稿后，陷入了迷茫的人生十字路口。然而，命运给了他意外的机会，在一家水饺店里巧遇了一位性格火辣的北京姑娘秦朗（黄璐 饰）。阿正抓住机会，毅然决然地自愿帮助秦朗实现她的梦想——寻找她奶奶的初恋情人陈光。于是，阿正和秦朗一起展开了一段奇妙而令人期待的寻人之旅。二人因性格迥异，在寻人过程中时而亲密无间，时而唇枪舌战，然而他们相处的日子渐渐融化彼此的偏见。这段寻人旅程中，二人不仅揭开了陈光的身份，还发现了他们对于人生焦虑的答案。而随着一切的发展，他们的关系也渐渐升温，暧昧的情愫在两人之间悄然萌生。

故事发生在1930年代的湾城，一位金发美女客户希望马洛帮她寻找失踪的前男友，一个隐藏着的巨大秘密即将浮出水面。影片改编自本杰明·布莱克以马洛为主角的小说《黑眼金发女》。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.