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故事环绕着一个美国空军基地，它吸引了酒吧和妓院，和当地的日本人，他们需要肮脏的世界来逃避现实的世界，和赚钱来勉强幸存。故事中有一段三角恋情，两个主人翁居住再拆卸的公寓大楼，另一个是当地的强盗。本片以一种罕见的角度来观看战后的日本，中下阶层和罪犯的生活。

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

日本代表性的动画艺术家水尻自子的最新短片。水尻自子出身日本青森县十和田市。其作品常以人体的一部分或生活中常见的物体作为题材，重视对感触的表现，在世界范围内颇负赞誉。新作将圆润的人体，以及对此产生压迫感的日常事物同时纳为描绘的对象，试图表现出“感触”本身，对其一贯创作风格进行了深化。作品的音响由水尻自子长年喜爱的音乐家本田由香担纲。作品由十和田市现代美术馆委托制作。日、法联合制片。预定于2021年在国际性电影节参展。日本首映安排在十和田市现代美术馆“Inter + Play”展第3期现场（展期：2022年1月22日～5月29日）。

讲述美国著名拳击手【乔治·福尔曼】的一生