舟渡车 震

充滿魔幻魅力的瓦斯桶妝仙女，潑辣且神采飛揚。從小對熱舞與扮裝 懷抱夢想的Jojo，不但在學校被排擠，媽媽也不瞭解他。某天當桶妝仙女送瓦斯桶到他家時，Jojo 感到驚奇與目眩神迷。受到仙女的鼓勵，Jojo 決定活出自己的天空。

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter.Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

人烟寥落，阴霾苍凉。在这个与大都会形成鲜明对比的萧索小镇，两个有着不同背景的男女相遇了。一个是在东京小有成就的电影导演（岩井俊二 饰），然而他无法直视莫大的空虚与失落，渴望暂时逃离名利场，寻找创作的动力与激情；女孩（藤谷文子 饰）身着红色雨衣，在晴天里也打着雨伞，永远宣称明天是她的生日。仿佛受到命运的驱使，导演走近女孩的生活，并将镜头对准了这个藏着万千心事和愁绪的精灵。他跟随她走过废墟大楼的楼顶，以及其赖以栖身的地下室。烦躁、憎恶、忧愁、悲伤、喜悦、失落，各种情绪交错，不由分说将他们紧紧缠绕在一起……本片根据女主角藤谷文子的小说《逃避梦》改编。

晓曦和母亲美芳相依为命，开著一家小小的花店。美芳有睡眠障碍，晓曦新认识的男友彦豪是位精神科医师，晓曦和母亲看诊后，反而变成两人交往的障碍，彦豪坚持不能公开两人的关係。真正的原因是他还没走出前女友自杀阴影。一家乡工地挖出到了一副骨骸，竟然是晓曦二十年前在海边失踪的父亲，美芳受到刺激，在葬礼后失踪。众人遍寻不著，却在树林裡发现美芳上吊自杀的尸体。林投姐抓交替的谣言再起。崩溃的晓曦求助神婆丽云，呼唤美芳的灵魂对话，却被彦豪打断，原来神婆是彦豪的母亲，彦豪坚持晓曦需要的是医学治疗。晓曦回到老家，记忆碎片渐渐拼凑成形，那鬼魅的身影是她一直无法面对的恐惧......彦豪是否有勇气面对一切，解救晓曦？