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《蚵豐村》是導演龍吟的首部長片作品，講述濱海漁村的故事，全片以16mm底片拍攝，除了呈現沿海漁塭的獨特美感，也試圖捕捉傳統村舍與寺廟信仰幽遠的在地氣息。一如台灣島本身雜揉多樣的海國特色，這部片邀請到了不同背景與文化底蘊的創作者，包括俄羅斯攝影師Aley Elagin、捷克聲音設計師Vojtech Zavadil、馬其頓燈光師Vladimir Dimoski等人，卡司則由「國民老爸」喜翔帶著新生代演員林禹緒、陳莘太同台飆戲。

This is a really interesting film about how large the universe is and how powers of ten become so drastically distant.It starts out by showing a couple at a picnic in Chicago. It then shows an overhead shot a meter up of the man lying down on the picnic blanket. It then proceeds to zoom out by increasing the distance by a power of ten every ten seconds; 10 to the first meters, 10 to the second meters, 10 to the third meters, and so on.Before long the viewer is above the earth, then the solar system, then the galaxy, then much of the visible universe. The viewer is projected back forward by decreasing the powers of ten every two seconds.After a while the picnic scene is displayed again, but it doesn't stop there. The view returns to the regular speed and goes into the negative powers; ten to the negative first meter, ten to the negative second meter, and so on. The viewer is zoomed into the man's hand, and ends up zooming into a single proton in an atom.

日本封建时代的铸剑过程，武士与主人间报恩、报仇的恩怨情节为主，真正的中心还是环绕着一个女人。片子有种说不出的温柔与细致。

最终话里两人许下了爱的誓言，海音回到了大海里。三年后出现在伦太郎面前的会是……？