我们结婚了20131214

《黑色安息日》是1963年由马里奥·巴瓦执导的一部意大利恐怖电影。鲍里斯·卡洛夫除了出现在链接段落中，还在《武达拉克》(根据阿列克谢·康斯坦丁诺维奇·托尔斯泰的故事改编)中扮演了一个角色。这部电影由三个恐怖故事组成，另外两个是《水滴》和《电话》。

夏美（韩智慧 饰）是A型血型，非常胆小，而她非常期待能有一段浪漫的爱情。每天祈祷的她终于在某天遇到了梦中情人。迎彬（李东健 饰）是一名年轻的男孩，面子对他很重要。B型血的他表面上落落大方，实际上他是自私幼稚的。夏美遇到了迎彬一系列浪漫的追求，不顾家人反对的夏美与这位白马王子走到了一起。恋爱一开始是甜蜜的，但时间长了，夏美便发现了自己男友存在的缺点。终于无法忍受，夏美只好忍痛分手。到底迎彬还是意识到自己的问题，便决心改过缺点以能重新得到夏美的欢心。但夏美是个做了决定便不愿回头的人，迎彬将会如何面对固执的夏美呢？

在银座4丁目，旧日本军的特殊部队“透明人特攻队”的幸存者轧死的尸体和遗书一起被发现。从遗书的描写可以看出至少还有一个透明人的幸存者。不久之后，自称“透明人”的帮派集团的强盗事件接连发生。另一方面，在酒馆“黑船”里作为Sandwitchman的小丑工作的南条和住在同一栋公寓的盲人少女玛利亚约好了一起买《金发的珍妮》的八音盒。自从第一次自杀以来，新闻记者小松一直在进行透明人的调查，他注意到了访问被袭击的宝石店的南条。然后进入南条的房间的小松，在那里看到了令人吃惊的光景。南条总是穿着小丑的理由——那是因为他是另一个透明人。南条和小松一起，发誓要查明玷污自己名誉，利用麻里祖父最后杀害的黑帮集团的真面目。但是2人的调查结果表明，暴力事件的幕后黑手在“黑船”中

"Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee."