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Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

改编自山本直树的短篇漫画，以寂寥的温泉街为舞台，刻画了雕師邮递员·鹰巢明和性无能的寡言诗人「企鹅」，以及企鹅粉丝“月夜之星”三角关系的故事。

本片为刘家良自导自演，倪匡编剧，由刘家辉饰少年黄飞鸿，陈观泰饰陆阿采另有武打明星汪禹与李丽丽合演，故事描述黄祺英为洪熙官师弟陆阿采的弟子，为怕其儿飞鸿学武闯祸，拒传授武功给儿子，后飞鸿的武学热忱感动了捕头袁正，后传给陆，飞鸿终得陆为师，父子同师传为佳话。

When the evil Olteca makes a contract with a man and unleashes the Spider Deadman, Ikki Igarashi transforms into Kamen Rider Revi to stop them. At his side is Kamen Rider Vice, a devil that lives inside his mind that he has made a deal.