冰河时代6

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

本片為張徹早期執導之黃梅調作品，故事講述江夏縣令之子田玉川(金峰 飾)為漁家女胡鳳蓮(丁紅 飾)之父抱不平，誤殺總督盧林(井淼 飾)之子惹禍。玉川逃至江邊，走投無路，幸遇鳳蓮搭救，二人相對終宵，情愫漸生，玉川以傳家之寶蝴蝶盃相贈，訂下終身之約……

根据狄豪里赤纳原著改编。一个美国工人因失业生活无着，又面临着应征去朝鲜打仗，失去活下去的信心，他决定离开这个世界。不想一个投机商却想乘机从他身上捞一大笔钱。最终，这个工人醒悟，取消了与投机商订下的“卖身”合同，继续生活下去。

贫穷加上乌脚病让他们活的很无奈，他们不怪谁，只怪自己的命。大不了就是把手砍掉，把脚锯掉就不痛了。 邱水龙是典型的写照，在十几年前就因为乌脚病锯掉了一只脚，另一只脚又黑了一大块，锯掉也是迟早的事。早年儿子出海被大海吞噬，媳妇(桃花仔)浪迹他乡，跳脱衣舞维生，留下天资较差的孙子(阿钟仔)两人相依为命。憨厚的阿钟仔到学校最快乐的事，就是把水沟和厕所打扫的乾乾净净，但是还是受到校长老师的鄙视冷落……