我的体力你试试就知道了

在旧金山念书的Joy（刘天兰）想随男友Louie（秦祥林）去纽约，可是Louie并不爱她，两人商量无果，Joy闹自杀，将Louie羁绊，但此举亦令Louie增多与Joy的室友Lvy（林青霞）相处的机会。Louie对Lvy的爱意虽未挑明，疑神疑鬼的Joy却早猜出八分，Lvy被她暗自视作敌人。Louie不知该拿Joy如何是好之时，Lvy电话喊来Joy远在香港的哥哥傅柱中（张国柱），但到美的柱中并没对Joy表现出兄长应有的关切，只一味怪怨Louie陪她太少，而Louie提出带Joy看医生时，他的态度也非常奇怪。但是，即便Louie将Joy患有遗传性精神病的结果告知Lvy，Lvy亦没在意，她已与柱中陷入热恋——此事令Joy对她更加排斥。不久，Joy驾车自杀，柱中感应到她的死亡。随后，柱中提出回港办理事务，不久返回，Lvy不解但未作阻拦。整理Joy遗物时，Lvy发现柱中已结婚；同Joy一样，柱中也是精神病患者，Joy的死令他旧病复发，在港因护照问题与妻子（叶德娴）发生争吵并将之残忍杀害。Lvy从报纸得知柱中杀妻一事，心中虽忐忑但疑是假新闻。这时，柱中突然在她面前现身。

马耳他渔业日渐萧条，出身渔民世家的杰斯马克为了养活妻儿，不得不铤而走险尝试黑市捕鱼交易。影片极具现实主义风格，从马耳他本地渔民的视角出发，将对多种社会议题的探讨，巧妙地穿插在一个感人至深的家庭故事之中，呈现了地中海美丽风光背后的悲情真相。片中包括男主角在内的多个角色，均是由当地渔民出演，他们朴实无华的本色出演真实而自然。本片是第一部亮相圣丹斯电影节的马耳他电影，并最终荣获2021年圣丹斯电影节世界电影单元评审团特别奖。

苹果宣布，它已获得令人敬畏的纪录片《Fathom》的全球版权，该片将于6月25日在Apple TV+上独家首映。由德鲁·Xanthopoulos（“敏感人”）执导和拍摄，《Fathom》跟随Dr.艾伦·加兰和博士米歇尔·富内特，两位科学家专注于座头鲸歌曲和社交交流的研究。当他们在世界对立面开始平行的研究之旅时，他们寻求更好地了解鲸鱼文化和交流。这部纪录片独特地揭示了对科学pxrocess的深刻承诺和敬畏，以及人类寻求我们周围世界的答案的普遍需求。从假设到该领域的突破性经验，“法通”展示了领先科学家做出科学发现所需的激情、好奇心、合作、毅力和工作。

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.