某日，一群使用风遁之术的空忍空袭火之国，无数民众和忍者遇害，形势危急。据纲手大人所言，这群不速之客正是在第二次忍者大战中落败的空之团，如今他们怀着复仇之心再次出现。卡卡西（井上和彦 配音）等人则负责侦查空之团的老巢，鸣人（竹内顺子 配音）、小樱（中村千绘 配音）、雏田（水樹奈々 配音）受命组成三人医疗小队，协助名医神农（石塚運昇 配音）前往其徒弟雨琉的家乡医治伤者。另一方面，病入膏肓的大蛇丸得知神农的再生之术业已完成，他命佐助（杉山纪彰 配音）前去寻找神农。这也促成佐助和昔日伙伴宿命的重逢……本片为《火影忍者》第五部剧场版动画。

永井荷風の没後一周年を記念して、豊田四郎監督が同名小説を映画化した文芸作。東京の郊外、隅田川の東にある遊廓で中学教師・順平は、お雪という娼婦と出会い恋に落ちる。だが、そんなふたりの関係が、順平の妻・光子の知るところとなり…。A village girl goes to Tokyo and becomes a hooker to support her ailing mother. While there she meets an unmarried teacher (at least he says he's unmarried) and falls in love. When she learns that he lied and is married to a woman whose child was fathered by another man, she is crushed. He returns to his wife. The woman becomes more distraught when she learns her uncle has misused the money she has sent. As the final straw, her mother dies, and the girl becomes sick.

一群盗贼为了寻找传说中的宝藏而去到远海的孤岛监狱，但他们却发现了被囚禁在那里的Hakaider，最后全被Hakaider杀死。失去记忆的Hakaider为了追寻身世而来到了“基督城”，基督城虽然表面上是一个和平的都市，但其实内里统治者古谢夫将有反抗意识的人改造为不反抗者，营造出一片虚假的和平。其后Hakaider在与基督城的重武装兵交战时，当地的反抗组织出手相助，战斗后Hakaider与组织成员一同返回地下基地。在基地内，Hakaider与一名叫薰的少女产生了微妙的关系……得知Hakaider出现的古谢夫命令重武装兵将它消灭，因为Hakaider为古谢夫所制造，但由于不服从命令而被囚禁，Hakaider的出现无疑会危及他的统治。在古谢夫的亲卫机器人米迦勒的带领下，重武装兵突袭反抗组织基地，薰因此而丧生。袭击后得以存活的Hakaider无比愤怒，为了打倒古谢夫，Hakaider向着基督城的元老院进发……

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb