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Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

Comedian Colin Quinn talks about American politics and how divided the country is.

职场OL铃木静香（三吉彩花 饰）在日本一流公司任职。某一天，她意外地被一位催眠师催眠，得了一个连医生都检查不出来的“怪病”：无论何时何地，每当听到音乐响起，就会不由自主地唱歌跳舞。这个“怪病”给静香的工作和生活都带来了极大困扰，她找到了催眠师前助理斋藤千绘（八城优 饰），一起踏上“治病”之旅。随之，一系列荒诞搞笑的故事就此展开。

久子的丈夫滨中在多年之前离家出走，一直以来音信全无，某一天，滨中突然再次出现在久子的面前，对于自己的失踪，滨中并没有过多的解释，久子也没多问，两人就像从前一样继续平静的生活，倒是街坊邻居对滨中不负责任的行为非常愤怒，一时间流言蜚语不断，这些闲话传到了一直暗恋久子的朝仓耳中。 原来，滨中曾经和经营着大泽茶店的多美是一对，但是最终多美抛弃了滨中，选择了和对她展开了热烈攻势的大泽结婚，这让滨中感到非常伤心。归来后的滨中一直想要找一份工作，但处处碰壁，于是他来到了父亲的店里，决定把父亲的商店进行一番大改造。